![]() She was an artist in residence at La Cité Internationale des Arts, Paris, in 2013. Kathleen Ritter is an artist based in Paris. Born in Germany, Hinrichs lives and works in Brussels. Recent exhibitions include red offering (Lovenjoel, Belgium), The Event of a Thread (Dresden, Germany), Kathmandu Triennial (Nepal) and Heidelberger Kunstverein (Germany). In this process, she often develops a sculptural language that is structured by the semantic exploration of everyday objects and found materials. Heide Hinrichs works balance ambiguity and contradiction, telling stories of past emotions, mental state,s and gestures. She has exhibited in Canada, Germany, the USA, and Mexico. Brown graduated with a BFA from Emily Carr University in 2013 and was the recipient of the Chancellor’s Award. She is based in Vancouver on unceded Coast Salish Territories. ![]() The imagery in her work draws from various sources including landscapes, historical crafts, recurring symbols from her own dreams, as well as the work and biographies of other female artists. ![]() Her primary medium is steel and she attempts to parse its associations with industry, weaponry, and brutality, with its subtler qualities such as pliability, versatility, and slightness. Vanessa Brown works in sculpture, painting and photography. Presented in dialogue with Beginning with the Seventies: Activism, Art and Archives, a multi-year project initiated at the Morris and Helen Belkin Art Gallery and curated by Lorna Brown, the object-based works in Some Spontaneous Particulars demonstrate particular concern for a material handling of the past, as a means to query the act and implications of retrieval, the ethics of translation, and consider the radical potential of a feminist archive. The Some Spontaneous Particulars exhibition presents never-before-exhibited work by three artists whose research-based practices have drawn them to the work of historical women artists Marianne Brandt (for Brown), Theresa Hak Kyung Cha (for Hinrichs) and Mina Loy (for Ritter), whose own production and memory has been overlooked or stifled within the art historical canon. This book accompanies an exhibition of the same name curated by Kimberly Phillips and presented at Access Gallery in Vancouver, Canada, between December 9, and January 20, 2018. It assembles material research, found documents and impatient thoughts-in-progress by Vanessa Brown, Heide Hinrichs, Kathleen Ritter, Erica Stocking and Anna Tidlund. Some Spontaneous Particulars is a publication positing the radical potential of a feminist archive.
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